Publications

On Female Education: Projects of Mastery in Seventeenth-Century English Boarding Schools (2025)

On Female Education: Projects of Mastery in Seventeenth-Century English Boarding Schools, Patricia Wilson Nguyen in Winterthur Portfolio vol. 59 no 1

This study challenges traditional, text-focused and feminist interpretations of 17th–19th century needlework by combining embodied knowledge with statistical analysis. Examining samplers, pictures, and embroidered objects—often linked to English boarding schools and some colonial American examples—it argues that such works reflect women's education, agency, and skill. By analyzing these artifacts and the life of embroiderer Martha Edlin, the research reveals women's creativity and problem-solving abilities, offering a more nuanced view of their education and societal roles.

This issue is available as an e-book for purchase from Winterthur Portfolio/University of Chicago Press at this link

Alternatively, a limited number of reprints of the article only are available from Thistle Threads for a qualifying purchase at this link

'A Bearinge Clothe for the Christeninge' - Part I: Contexts, Materiality and Values (2025)

'A Bearinge Clothe for the Christeninge' - Part I: Contexts, Materiality and Values, Mary M. Brooks, Cristina Balloffet Carr, and Patricia Wilson Nguyen in Textile History.

This striking gold embroidered cloth had an unknown purpose when accessed into the MET collection in 2016. The team of Brooks, Carr and Nguyen have used the object to pioneer new methods of examining an embroidered textile for evidence of individual embroiderers in a professional setting. In the first paper in a series of three, the purpose of the encrusted embroidery is determined which led to a change in the cloth's name. This object was displayed in the 2022-23 exhibition The Tudors, Art and Majesty in Renaissance England

This article can be read via open access via this link

'A Bearinge Clothe for the Christening': Part 2 - Materials and Making (2025)

‘A Bearinge Clothe for the Christeninge’: Part 2: Materials and Making of a Bearing Cloth in the Metropolitan Museum, Cristina Balloffet Carr, Patricia Wilson Nguyen & Mary M. Brooks in Textile History

Part II tests the idea that the object was made in a professional workshop. Using mathematical modelling of needle movements, it estimates total labour time and, by dividing this by the number of embroiderers, the overall duration of the project. Analysis of the design principles shows methods used to speed production and points where individual embroiderers could interpret motifs and choose stitches. The findings indicate that this was a high-quality, professionally made bearing cloth that a team could complete relatively quickly to meet a deadline.

Micrograph is tiled from several hundred separate micrographs.

This article can be read via open access via this link

Scandal and Imprisonment: Gold Spinners of 17th Century England (2020)

Scandal and Imprisonment: Gold Spinners of 17th Century England, Tricia Wilson Nguyen in Textile Society of America 2020 Symposium Proceedings.

This article lays out the arguments that gold thread embroidery was more than just something fashionable and shiny to wear. There were real economic impacts which led to the types of scandals that one expects if embroidery is money.

This article can be downloaded and read as open access using this link